donna rathkeUsually, I only make functional pottery. However, I have started to make some different pots for our Guild’s November 9th Christmas Sale. These include ceramic Christmas trees, Fairy houses and Gonks. The Fairy houses have a secret compartment when the house is lifted off the plate which can be used to hide messages, store jewelry or even be a garlic holder. Some of them can be used as luminaries with a candle or battery operated light. So I guess these could also be called functional pottery.
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June ParkerI joined Arrowsmith Pottery Guild just over 2 1⁄2. years ago after attending a class instructed by Barb Strachan, a talented instructor from the guild, and have enjoyed the sense of community and sharing here since. I started my hobby of pottery in Calgary 35 years ago with Bob Reimer, a potter who shared his skill and humour. He is missed. After a 30 year break I am rediscovering the fun and challenge that pottery brings. I enjoy that my functional pieces are always evolving and continually challenging. The reintroduction to pottery has given me an creative outlet A favourite component of throwing is playing with different techniques of surface texturing and experimenting with glazes. Juanita KehlerJuanita Kehler is a multimedia artist whose practice has ranged from creative director, graphic artist, animation, painting, drawing, wood and soap stone craving and paper mache. Since retiring to the island when it is taken up wet felting, wire sculpture, free motion embroidery, Zentangle and now pottery has been her passion for pass four years. Nature plays a large role in my inspiration for both the design and decoration of the pottery. I am primarily inspired by my natural environment which includes a birds, plants and of course my imagination. I enjoy using multi-layered colours and patterns to decorate the surface of my pieces. It is my intention for each pottery piece to be unique and one of a kind. This uniqueness, I hope, reminds the user that it is handmade and not part of our mass produced world. Each piece is hand built. Once my pottery piece is dry I move to painting, decorating with slip or carving than it will go for the first (bisque) firing. I paint with food safe ceramic color stains and glazes using brushes and applicators. They are then dipped in glaze and in for the final firing at 2100 degrees. To me art has been the air that I breathe, without it life is not complete. hazel deanI began my pottery journey six years ago, taking classes and workshops at the Nanaimo Ceramics Gallery. Although I’ve dabbled in many forms of artistic expression including painting, knitting,and clothing design, once I began pottery lessons, I was smitten and had found my path! I love the functional aspect of ceramics as well as the many forms of expression available to a potter. My inspiration comes from a love of nature, the changing seasons, and my childhood memories, living and working on our prairie farm in the summer and winters in our small town community… I have a love of cycling and have toured most of Canada on a bicycle. This too, is reflected in my work. I am a big fan of vintage, shabby chic design and find inspiration in fabrics, old-world carpets and quilt patterns. I aim for a light, whimsical touch, with a hint of humour and a lot of joy ….. my journey is continual process of learning and inquisitiveness. As a member of the APG, I’ve enjoyed meeting many inspired potters and am constantly learning from so many talented individuals. It’s’ an honour to be a part of this creative, sharing community and I hope to continue this journey for many years to come. Sincerely, Hazel Dean jenelle cassidy
Ginny Clark – “Ginny’s Practical Pots”My love of pottery began over 50 years ago when I began my collection. It wasn’t until I retired that I found the time to try making something myself. About ten years ago, I enrolled in a class session at Kawartha Potters Guild (Peterborough, Ont.) and I was hooked! I did a couple of wheel-throwing classes, but once I tried hand building, I felt I’d found my niche. Over the years, I’ve participated in many classes and workshops, both in-person and online. I love using texture, and many different glazes to decorate my pieces. When we moved to the Island three years ago, I was delighted to find a home with an indoor studio space, and within a ten-minute drive to Vancouver Island Pottery Supplies. Since then, I’ve become a member of the Arrowsmith Potters Guild where I’m learning new techniques and making new friends who encourage me on my clay journey. michelle ainsworthAs a child I was always making little bowls out of mud and letting them dry in the sun. Who knew that my love of mud would lead me to where I am today. I didn’t get serious with clay until my first official pottery class was in 1989 with Ruth Porter at Beban Park in Nanaimo. I loved it! I practiced for a few years at the Beban Park Pottery Studio until life moved me away and my time was no longer my own. In Fort McMurray in 2002, I briefly reconnected with clay for two years, but it was until my two girls were older that I was able to afford more time to play in clay. In 2016, I signed up for a beginners pottery class at the Arrowsmith Potters Guild with Barb Strachan followed by an intermediate class with John Shauer. I was hooked. Since then I have spent countless hours playing with clay. In 2017 my girlfriend and I signed up to go to Metchosin International Summer School of the Arts where we took a Mask Making Workshop with Bob Kingsmill. I had so much fun there that I returned the following year for three workshops with Allan Burgess, Victoria Christen and Marney McDiarmid. 2019 I took three more workshops at MISSA with Clive Tucker, Linda Doherty and Richard Burkett. After Richard’s class, I started experimenting and making my own glazes. 2022 took 3 classes at MISSA with Fredi Rhan, Elaine Brewer-White, and Charmaine Nimmo. Last year I stayed the full two weeks at MISSA and took classes with Alan Burgess, Arlen Nobel, Cathi Jefferson and Marney McDiarmid. I love taking classes, learning, and then using my newly acquired knowledge when playing with clay. I also took classes with Katy Fogg in Comox every winter from 2017 to 2019. At present, I am taking a class with Cathi Jefferson where we are making curets. In my previous classes with Cathi, we worked on teapots, use of ribs, lids, pitchers, altered forms, sawdust firing, square bowls and plates. During COVID, Cathi’s classes have helped to keep me inspired and would have been lost without them! Last year I joined the Tozan Society, and have enjoyed learning about wood firing. A friend and I build a gas kiln on my property and we have been experimenting with high fire. After Christmas we will be building a Salt/Soda kiln, which will bring learning to a whole new level When not in classes, I live in Errington on a 10 acre hobby farm with my husband Terry, two dogs, two cats, turkeys, chickens, and two loose peacocks. While my little studio was being built the peacocks would hang out and still do – and that is how the name Loose Peacock Pottery came to be. Barb strachanSeptember's featured Potter of the Month is Barb Strachan...a member of Arrowsmith Potters Guild since 1997 and a founding member of the Train Station Pottery Shop. Barb finds inspiration in nature, particularly the ocean, and this is often reflected in her pottery.
donna rathkeThis year I have enjoyed working on functional pottery and some carved vases. And my ‘Sand and Beach Mugs’, bowls and cups continue to fill my kiln.
margot gibsonMy philosophy as an artist is simple: that anything that you create should be pleasing to the eye as well as being fit for purpose. Form and colour are what make a pot useful and pleasing to the eye. What I want is that when someone picks up one of my pots, that he or she wants to use it, look at it . I’ve used these ideas throughout my career as an artist and most particularly in the years since I started working with clay. I try to achieve this balance in each of my pots.
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